I need a solution on – “How do Northern Irish texts ‘deal’ with the complexities of recent history?”-“How do Northern Irish texts ‘deal’ with the complexities of recent history?”

&‌‍‍‍‌‍‍‌‌‌‍‌‍‍‍‍‌‍‌‌quot;How do Northern Irish texts ‘deal’ with the complexities of recent history?” Through Jake and Cals experiences, where Cal cannot handle the crime he committed, it haunts him and in turn he becomes further isolated in mind and body, and Jake in Eureka Street, who is apolitical toward the two sides of the Troubles. Themes of violence, gender and love and politics in the two novels. Using Robert McLiam Wilson’s Eureka Street (1996) and Bernard MacLaverty’s Cal (1983). Use the two novels and analyse (with critics quotes) for their portrayals of violence, religion, and nationality during The Troubles in Ireland. Attached are powerpoints from lectures that really support the novels and give you materials to expand on. These have critical quotes too. There are also 3 example essays, where you can understand the standard of work I need to provide. I will also attach the critical resources given to us, as I need to use more than 5 secondary sources! Eureka Street: https://muse.jhu.edu/article/375766 Mention that Eureka Street holds an Anti sectarian viewpoint – Eureka street characters are distanced, not really aligning themselves with either or side and character in cal pick a side. Gender and politics and violence –IN ‘Cal’, Cal’s character is looking for love and navigating through having an Catholic identity in Ireland and then in Eureka Street, Jake and chuckie being men in 30’s trying to find something ‘normal’ –‘love’ within a space that is so conflicted bombs going off every day. The focu‌‍‍‍‌‍‍‌‌‌‍‌‍‍‍‍‌‍‌‌s shifts to getting through the day, each day. Mnetion masculinity and violence together, *Use 5 secondary sources: Here are some materials if you struggle t find sources: 1. The Language of Violence in Robert McLiam Wilson’s “Eureka Street” 2. Sons of ulster: masculinities in the contemporary northern irish novel Author: Magennis, Caroline 3. Bernard MacLaverty: new critical readings The Language of Violence in Robert McLiam Wilson’s “Eureka Street” Farquharson, Danine 5. TRESPASSING BOUNDARIES: ROBERT McLIAM WILSON’S SATIRICAL TRANSGRESSION IN “EUREKA STREET” failure of parenting and the success of love in Robert McLiam Wilson’s Ripley Bogle and Eureka Street 7. Struggle tourism and Northern Ireland’s culture industries: the case of Robert McLiam Wilson Brouillette, CAL critical pieces: 1. BLOOD, SHIT, AND TEARS: THE TEXTUAL REINSCRIPTION OF SACRIFICE, RITUAL, AND VICTIMHOOD IN BERNARD MACLAVERTY’S CAL Mahon, PeterELH77(1)2010-04-0171 – 104 2. Two Ways of Responding to “Troubles”: Bernard MacLaverty’s Use of the Blues and the Western in Cal Politics of Bernard MacLaverty’s Cal 4. “Not My Troubles Anymore”: Memories of Trauma, Violence and Belonging in Bernard MacLaverty’s ‘Cal’, Brian Moore’s ‘Lies of Silence’ and Glenn Patterson’s ‘The International’ 5. Bernard MacLaverty: New Critical Readings 6. Storytelling and Political Violence: Tales of “the Troubles” in Bernard MacLaverty’s Matters of Life and Death 7. “Writing is a state of mind not an achievement”: an interview with ‌‍‍‍‌‍‍‌‌‌‍‌‍‍‍‍‌‍‌‌Bernard MacLaverty MAIN BODY:
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